Interspace 2.0 is composed of a series of small white ceramic sculptures modeled through pressure on the artist’s body and reactivated during a moment of performance through contact with the spectator. The sculptures are then donated as well as a gesture of care for oneself and one’s physical and mental health.
The use of touch as one of the senses involved in the mind-body connection leads to an integration between mental and physical space, between thoughts and corporeity.